Frida Kahlo paintings are best remembered for their pain and passion and their intense, vibrant colors. They are celebrated as emblematic of national and indigenous tradition by the Mexicans and for their uncompromising depiction of the female experience and form by feminists.
Frida Kahlo paintings are characterized as Naive art or folk art and prominently feature Mexican culture and Amerindian cultural tradition. They are also described as surrealist, as a matter of fact, in 1938, one surrealist described Frida as being a ribbon around a bomb.
Reflected in her works are the lifelong health problems of Frida. Frida prefers to paint portraits of herself because according to her she is so often alone and if there is one subject she knows best, it is herself. To quote Frida, she was born a bitch as well as a painter. Self portraits constitute half of the Frida Kahlo paintings.
While Degas paintings received the label of being impressionistic in style, Edgar Degas insist that he is either a realist or independent. The fleeting moments in the flow of modern life is what Edgar wants to capture in his work.
However, he showed little interest in painting plein air landscapes. Degas paintings favoured theatre and cafe scenes illuminated by artificial light, clarifying the contours of figures, in total adherence to an academic training.
In recognition oh his son's artistic gifts, Edgar's father took him frequently to Paris museums as a way of encouraging his efforts at drawing. This resulted to early Degas paintings being copies of Italian renaissance paintings at the Louvre.
Emphasizing on line and insisting on the crucial importance of draftsmanship, the traditional academic style was the style Edgar got his training in under the tutelage of Louis Lamothe. Another strong influence reflected in Degas paintings are those from paintings and frescoes Degas saw during his long Italian trips in the late 1850s. Edgar recorded these paintings and frescoes in his personal notebook by making his own drawings and sketches of them.
Frida Kahlo paintings are characterized as Naive art or folk art and prominently feature Mexican culture and Amerindian cultural tradition. They are also described as surrealist, as a matter of fact, in 1938, one surrealist described Frida as being a ribbon around a bomb.
Reflected in her works are the lifelong health problems of Frida. Frida prefers to paint portraits of herself because according to her she is so often alone and if there is one subject she knows best, it is herself. To quote Frida, she was born a bitch as well as a painter. Self portraits constitute half of the Frida Kahlo paintings.
While Degas paintings received the label of being impressionistic in style, Edgar Degas insist that he is either a realist or independent. The fleeting moments in the flow of modern life is what Edgar wants to capture in his work.
However, he showed little interest in painting plein air landscapes. Degas paintings favoured theatre and cafe scenes illuminated by artificial light, clarifying the contours of figures, in total adherence to an academic training.
In recognition oh his son's artistic gifts, Edgar's father took him frequently to Paris museums as a way of encouraging his efforts at drawing. This resulted to early Degas paintings being copies of Italian renaissance paintings at the Louvre.
Emphasizing on line and insisting on the crucial importance of draftsmanship, the traditional academic style was the style Edgar got his training in under the tutelage of Louis Lamothe. Another strong influence reflected in Degas paintings are those from paintings and frescoes Degas saw during his long Italian trips in the late 1850s. Edgar recorded these paintings and frescoes in his personal notebook by making his own drawings and sketches of them.
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